四不像玄机图图片九十七期

 

平面设计师Matt W. Moore一直被曼陀罗(Mandalas)这种艺术所传达的无限性所吸引。曼陀罗(Mandalas)源于印度,有神奇圆圈之意。这些神圣的几何图形,被用作静思冥想的工具,图案往往由一个中心点向外放射的圆及方形构成的。

 

 

Moore曾花了大量时间在墙上或画布上创作具有图形导向(graphically-oriented)的网格。后来的一次机会,Moore住在了伊甸(Eden)一所艺术家的住处,他决定重新思考创作的主题,于是开始收集附近离散在山上、谷地各种元素。树枝树皮、香蒲、页岩以及河里的石头都成为了其图案上的笔触。

 

 

“一开始这种创作像是在玩山顶洞人的俄罗斯方块,有种时光倒流的感觉,仿佛儿时搭建城堡。但随着图案的复杂度的增加,这让我渐渐找到了平面设计师的感觉,或者更像一个tk5cc天空彩票同行工人。每一个元素的尺寸都要把握得当,每块小石子或小木棍都需要认真摆放……”Moore讲到:“在这一系列作品创作将近结束时,我觉得这已不在是一门组合艺术,相反更像是一个特殊的香港天空彩票资料官网过程,将调色盘扔到一边。我的画笔变成了大自然给予我的各种元素,创作有了无限的可能”

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Moore的网址:website

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Graphic designer Matt W. Moore has always been attracted to the infinite possibilities of mandalas, spending a great deal of time producing graphically-oriented grids on both canvases on walls. When Moore had the chance to take an artist residency in Eden, Utah he decided that he would like to reconsider the motif, gathering elements found scattered on the mountains and nearby valley. The result of his foraging is a series of neatly organized designs, concentric elements composed of bark, cattails, shale, and river stones.

“At first it felt like playing caveman Tetris, somewhat of a flashback to building block castles I made as a child, but as the configurations evolved to be more complex I very much felt like a graphic artist or bricklayer, every measurement had to be dialed and every pebble or twig needed to be carefully placed,” said Moore in a description of the project. “By the end of the series it no longer felt like assemblage art, instead it was more of a painterly process, with the palette to my left and my paintbrush replaced with elemental expressions and flourishes, kind of like painting with mother nature’s paintbrush.”(text form:thisiscolossal)

 

 

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